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魔鬼的陷阱

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分类:劇情片 其它 1962

主演:Vítezslav Vejrazka 米羅斯拉夫· 

导演:法蘭提塞·維拉席 

剧情简介

《魔鬼的陷阱》是由知名导演法蘭提塞·維拉席 执导的一部劇情片,Vítezslav Vejrazka 米羅斯拉夫· 等倾情出演,该片讲述了:  In the  time of C ounter-Reformation, a mi ller and his son come under investigation b y a pri est of th e Inquisition, wh en rumors spread  that their prosperity comes from working wi th t  he Devil.   The  Devil's Trap is a film  dire  cted by František V lá?il , based  on a novel by Alfréd Technik , adapted by Františ ek A. Dvorák and Miloš Kratochvíl. It was  the first o f three  historical d ramas  that Vlá ?il made during th e Czech New Wave (technically he is n't really a part of the New Wave, however t hese  films wer e ma   de du ring the sa  me era of artistic  freedom ), preced ing his more we ll known  Marketa La zaro vá (1967)  and Valley of the B  ees (1968).  S et in the late 16 th Century during t he Catholic Reformation, in the  Moravia n Karst, situated in what is now the Easte  rn Czech Republic , it  tells the tale of a miller ( Vítezslav Vejrazka), an d his son Jan (Vít Olmer), who come und er su  spicion and   are investigated by a Jesuit priest of th e Inquisition (Miroslav Macháche k), when rumors of witchcraft are spread by the local  regent (Cestmír R anda), who is je  alous of the miller's prosperity a nd degree of res  pect among  the loc  al populace.   As expected from Vlá?il, thi s film is a stu nning  experience all the way throug h. Fr om the open ing sho  t, an ominous manipulation of perspect  ive with a   clo  se up of a mangle  d figure of  Christ  domi nating th e foreground a gainst a tiny figure in black walking along the horizon, to the breathtak ing confrontati onal f inale inside t he vast stal actite fille  d Karst caverns, it  is a wonderful display of visual mastery.  Maybe  not quite as impre ssive a s Marketa Lazarová, but  still full of asto  nishin g imagery. As seen from unique angles and distinct points of  view which highlight t  he dir  ector's remarkable sense of awareness of framing, m  otion, and  positioning on the emotional  and drama tic tone of the s cene. The  most memorable being a repeated shot where the camera is s uspe nded a nd launche d wit h speed through th  e air towards the miller 9;s door.  The story here is a s imple one and I wo uld say more accessible than his l ater works. With  a conventional structure emphasi zed as mu ch by  its plot a nd characters, than by its expressioni stic cinematography or authentic historical detail. T he event s play out  without much surprise, and there is a  strong underlying, almost s  upern atural, mysterious aspect that is left unresolved, in fact barely explored,  which is slightly disappointing, bu t only because it&  #39;s so fascinat ing that I wish the  re wa s more .   Acting is great  all aro und. P articularl y the villai ns: Miros lav Machách ek as the priest, casting a siniste r and imposi ng shadow wher  ever he goes, and Cestmír Randa a  s th  e weasel l ike regent behind all th  e persecution. Whi le Vít Olm er brings a charismati c leading man presence in his rol e as the miller& #39;s son Jan, in love wi th the lov ely orphan girl M artina (Karl a Cha dimová) , who becom  es a dangerous object of rivalry between Jan and other young men of the v illage.  The film a lso features th e evocat ive music of Zden ?k Liška (perhaps the most prolific composer of the Czech New Wave). In  this his second of eleven collaborations with V lá?il, his c omposit ions are u sed spari  ngly , but to g reat e ffect, complimen ting but nev er o verpoweri ng a sce  ne. The b est example of which ca   n be heard in an amaz ingly sh ot c elebration a  nd dance sequence a t the end of the second act.  The Devi l's Trap might not be a masterp iece, but it is still a strong effo rt, with a  fascin ating str aightforward story and a glorious his torical setting capt ured beautifully by Vlá?il'  s unmistakable visual pr owess. A fine work that w  ould also be the per fect  starter p  late to pre pare yourself for the c hallenging feast of  Marketa  Lazarová or The Valley of the Be es. It even h as an easy  to d igest running time. I  t's th erefore puzz ling w  hy this  gem remains largely  overlo oked and ignored.  陆灵蹊眨了眨眼,很 干脆地把当初在奇怪岛石殿抢来的黑漆漆大鼎放到院中,“老祖,您看它到仙级 了吗?我筑基中 期就得到它了,一 直想打开它,可是,结丹的时候打不开,元婴以后还是 打不开。到了化 神,我一直忙,就把它忘了,您帮 我瞅瞅,若是能用您就用。 ”

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